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The Science of Homeopathy – page 64

second. The generator can be connected to various clamps, plates, optical instruments, microscopes, or electron microscopes. The object to be investigated (finger, leaf, etc.) is inserted between the clamps along with photo paper. The generator is switched on and a high fre- quency field is created between the clamps which apparently causes the object to radiate some sort of bio-luminescence onto the photo paper. A camera isn’t necessary for the photography process.

The very first photographs were a “window on the unknown,” say the Kirlians. A leaf torn from a tree, when placed in the field of a high frequency current, revealed a world of myriad dots of energy. Around the edges of the leaf there were turquoise and reddish-yellow patterns of flares coming out of specific channels of the leaf. A human finger placed in the high frequency field and photographed, showed up like a complex topographical map. There were lines, points, craters of light and flares. Some parts of the finger looked like a carved jack-o’-lan- tern with a glowing light inside.

But the photographs only showed static images. Soon the Kirlians had developed a special optical instrument so they could directly ob- serve the phenomenon in motion. Kirlian held his hand under the lens and switched on the current. And then, a fantastic world of the unseen opened before the husband and wife team.

The hand itself looked like the Milky Way in a starry sky. Against a background of blue an gold, something was taking place in the hand that looked like a firework display. Multi-colored flares lit up, then sparks, twinkles, flashes. Some lights glowed steadily like Roman can- dles, others flashed out then dimmed . . .8

 

The dramatic beauty of the photographs taken by this technique excited researchers everywhere and many visits were made to Russia to acquire blueprints and technical information on the equipment involved. Since then, masses of photographs produced in laboratories of the United States have found their way into journals and popular magazines to such an extent that nearly everyone is familiar with them. The question naturally arose, what do these lights and colors really represent? Are they actual images of the “human aura,” as some wish to believe, or are they merely artifactual phenomena of no sig- nificance? One of the most careful researchers in the field is William

A. Tiller, Professor in the Materials Science and Engineering Depart- ment at Stanford University, who systemically defined the parameters of the observations from his detailed knowledge of materials science and came to the following conclusions about the phenomenon:

  1. Ostrander and Schroeder, Psychic Discoveries, p. 199.