actually many great artists were ‘on edge’, as a dip into history will easily show). But it is this kind of hypersensitivity that we know from them that can become pathological and is a characteristic of the mental China picture.
Yet they are not outgoing persons but closed, reticent, with¬drawn into themselves, while at the same time possessing an imagination, sensitivity and perception that seeks expression in art and poetry. Their introversion will create confusion with Natrum muriaticum. They are often averse to talking, except to persons they trust, to very close friends and relatives.
Optimistic Imagination at Night
The ‘other world’ of imagination, in which the China patients so frequently live, can take a very special and unique turn in the evening on going to bed, and at night. They may relive the events of that day, changing the actual happenings into imaginary scenarios which suit them better. For example, where during the day they responded rather meekly to someone, in the nocturnal replay they are much more assertive and expressive, or, having earlier in the day recoiled from an opportunity to speak up, they will produce a great speech at night, substituting it for their former silence.
In these fantasies, they become the hero of great happenings, the performers of great deeds. We see this characteristic in the proving symptoms: ‘He makes many plans and reflects upon their execution; many ideas crowd upon him at once.’ ‘Ideas of projects in large number.’ ‘He makes a lot of big plans for the future.’ ‘Has many ideas, plans to execute all kinds of things, builds castles in the air.’ ‘His head is full of plans which he’d like to execute, in the evening.’
On waking the next morning, however, they face another world altogether; reality. When they look back onto their nocturnal fantasies,