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The Celle Seminars_Page 314

George Vithoulkas

to pinpoint the indications that might give me some insight into her emotional make-up. I want to know which remedy fits her emotional make-up. First of all, you will say that we cannot find out this sort of information without pushing her, which I didn’t do. But on second glance, you will see that she actually revealed quite a bit. To begin with, she cries. Immediately you would think of Pulsatilla. Usually if the patient cries during the interview we say, »Pulsatilla is crying in the interview.« Of course, this is not exclusively Pulsatilla. What other remedies also cry during an interview? Sepia, Medorrhinum, Kali carbonicum, just to name a few. Still, I would say that this is a case of Pulsatilla. The next thing she said was, »My moods are extreme.« I asked her what she meant by extreme, alternating from one to the other? She answered, »Yes«. What is the catch here? Somewhere you feel that information has been twisted, but where? I did not intentionally twist the information, but I did twist it nonetheless. There are lots of ways to reorganize information, one of them is to absorb what you hear and then translate it into what you know. She said, »I’m an extreme person.« I translated this into the language of the repertory and said that she is someone with alternating, changeable moods. These are not words that she used, she would rather say »extremes«, which is a different thing. It is a matter of quality. Although she says that she is an extreme person, I do not take this into consideration. I also did not take Pulsatilla into consideration because there is a very bad preoccupation in this interrogation in favor of Pulsatilla. Understandably, especially if you are under pressure, it is easy to become preoccupied with one remedy or several particular remedies. She says that she is a person who has »extreme states«, and we translate this bit of information into changeable moods. What are »extreme states« really? Passionate states which require a lot more emotional charge, emotional vitality, than do changing moods. We know what is meant by changing moods: hysteria in Ignatia, and placid, changing moods in Pulsatilla. But she emphasizes going to »extremes«. Then she goes further and describes herself as a person who cannot detach herself from her

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